About The Artist
By using modern materials with traditional tools and rooting in
the Italian process, a unique style of glassblowing has been
emerging for several decades. This style differs in that
“hard” glass tubes and rods are heated by a torch rather than
drawing molten “soft” glass from a crucible. This harder glass
(called borosilicate) possesses fascinating and individual
characteristics, most notably its ability to be heated and cooled
rather quickly with minimal stress. Still in its relative
infancy and led by a few key artists around the globe, this style of
blown glass is called “flameworking,” and is a variation of
“lampworking.” Some key ancient techniques have been transferred
from the furnace to the torch, and new ones are continually being
developed. Working glass at a torch allows for great detail.
I definitely relate to the emphasis that the old Venetian Glass
Houses placed on mastering the necessary processes. However, I
also greatly appreciate being part of the American Studio Glass
Movement and having full creative license to explore ideas, and not
be relegated to production tasks. My compositions come from
both right and left brain. The vessels are a concerted effort
to pay homage to the masters and show respect to the medium.
The mixed media works subconsciously narrate, and the photography is
escapist in nature, and a lot of fun. Expression continues to
be challenging and enlightening. I often work in distinct
modes, mainly dictated by faith and family. Capturing the
essence of these creative modes is one of my quests, and I’m
grateful simply for the opportunity.
- 1998 - Dene
studied scientific glassblowing & bead making under Professor
Jay Bardole of Vincennes University, in Indiana.
- 2001 - Dene was
awarded a work/study scholarship at Penland School of Crafts in
Penland, North Carolina, and studied narrative flameworking
under Ellie Burke.
- 2003 - He was
awarded best demonstrator at the Audubon Creative Arts Fest in
Henderson, Kentucky.
- 2004 - Dene was
one of only nine students selected globally to study the art of
Venetian Flameworking at the Corning School of Glass in Corning,
New York. His teacher, considered to be the finest
technical flameworker in the world, was Cesaré Toffolo.
- 2005 - Again
awarded best demonstrator at the Audubon Creative Arts Fest in
Henderson, Kentucky.
- 2006 - Dene was
awarded an Individual Project Grant by the Indiana Arts
Commission to create a series of vessels using some traditional
Venetian methods. He also received an Honorable Mention
from the juror at the “Working Together” exhibition, and third
place in the 3-D category at the “Art in the City”, both
sponsored by the Arts Council of Southwestern Indiana.
- 2007 - In April
he received 1st place in the 3-D category at the “Art in the
City” exhibition. Additionally, he received a 1st place
award for his contribution to the “Working Together” exhibition.
Dene was commissioned to design and create the Mayor’s Awards
given at the 2007 Arts Educator Awards Banquet. In
December, he had a piece accepted into the 40th Annual
Mid-States Craft Exhibition at the Evansville Museum of Arts,
History, & Science. Dene also participated in the Arts Council
group exhibition at Evansville Chamber of Commerce. He and
his wife, Doni, were in a dual artist show at the Oaklyn Library
- 2008 - Opened
Glowing Sands Glass Art gallery in the newly formed Haynie’s
Corner Arts District in Evansville, Indiana.
Artist Dene Stephens in an early phase of creating
a piece